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a digital pixelated glitchy gif or a black and white drawn image of an artists face wearing glasses with littel hair and blinking

Patrick Hase

Patrick Hase是個數位媒體藝術家和創意實踐研究員，專注於探索數位發展對我們的文化與心理影響。他近期的計畫在線上與線下空間中，利用客製的數位介面、實驗性網頁設計和協作影音系統來創造難以模仿的玩樂體驗。

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Anuraag Bhatia

Anuraag Bhatia是位策展人、藝術家和DJ，以聲音創作與社群工作為主。Anuraag自2015年開始，為墨爾本多元藝術節目系列Cool Room的創意總監，致力於透過策展與平台發展建立社群韌性和知識分享，同時探索數位工具形塑的可能性。

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Aarti Jadu

Aarti Jadu is a multidisciplinary sound artist. ​She began her sound journey in the context of devotional music originating from India. Being a first-generation Australian artist, Aarti’s practice naturally bridges diverse ideologies for the survival of her own integrity. She fervently explores voice through electronics to greater understand energy and its potential in relationship. Her recent work in trauma-informed voice workshops and somatics, along with years of study in yoga and raga music, forged a path to collaborate with neurologists to communicate and discuss matters of human experience, philosophy and science.

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Bec Fary

Bec Fary is a white (Irish and English descended, with five generations of settler-coloniser family history on this continent) creative audio producer and practice-based researcher living and working on stolen Woi Wurrung and Boonwurrung land in so-called Footscray, Australia. Through acoustic entanglements of human and more-than-human soundings, Bec hopes to unfold complex interrelations between a recordist and a place, and their human and non-human neighbours.

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E Fishpool

E Fishpool is a Yuin artist based across Budawang and Walbanja Country. Their work maps processes of unlearning and (re)learning identity through sampling sound, dialect and field recordings.

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Hei Zhi Ma 黑芝麻

黑芝麻 (they/she) is an experimental sound artist based on unceded Wurundjeri Woi Wurrung Country. Through djing and production, 黑芝麻 explores cultural identity and belonging, sensuality and queer love. To them, music is about community, sharing, and collaboration. Their cross-genre mixes and production merge experimental ambient, techno, and breaks with found sounds.

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j. - DJ

J (picnic, etc.) is a dj, musician and founder of the record label and publishing platform daisart.

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Mohamed Chamas

Mohamed Chamas is an artist, game developer and poet based in Naarm (melbourne) who channels the ‘dijital djinni’; a rewiring agent for practice-based research. Chamas’ work evokes ancient mysticism to fuse and synergize with emerging technologies. This diffractively interfaces with religious studies, ludology, and critical theory.

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Panda Wong

Panda Wong is a poet, editor and washed up retail superstar working and living on stolen Wurundjeri country. With a focus on collaboration, her practice centres around grief and how it’s performed in virtual/meatspace.

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Sam Miers

SAM MIERS is a newcomer artist born and based in Batemans Bay, Yuin Country. His work focuses on local practices of dialogic health. Sam is dedicated to a life in Batemans Bay working with Yuin and newcomers on song series and ceremony.

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Tahlia Palmer

Tahlia Palmer is an interdisciplinary artist of Yuwaalaraay/Koamu and European descent who lives in Narrm / Melbourne. Her amby downs musical project explores history, identity and connection to Country through layers of distorted noise, cavernous reverberations and field recordings.

Acknowledgement of Country
Arts House, Campbelltown Arts Centre, Taipei Performing Arts Center, and Museum of Contemporary Art Taipei acknowledge the Traditional Owners of the lands we work on, the Wurundjeri Woi Wurrung, Dharawal, and Ketagalan peoples. We extend our respects to their Elders past, present and future while respecting the vast Traditional Owners Nations our digital platforms reach. We extend this acknowledgment to Aboriginal, Torres Strait Islander, and Austronesian artists, audiences and communities, and First Nations peoples globally.
墨爾本藝術之家、坎貝爾敦藝術中心、臺北表演藝術中心及台北當代藝術館向我們土地上的第一民族暨傳統所有人致上敬意，包括烏倫杰里族（Wurundjeri Woi Wurrung）、塔爾瓦斯族（Dharawal）、凱達格蘭族（Ketagalan）及其眾支系。因著BLEED數位介面所將廣泛觸及的各種傳統民族與土地， 我們尊榮各地過去、現在及未來的祖先與耆老。我們更將這份對台灣與澳洲原住民族、托雷斯海峽群島民族及南島民族的藝術家、觀眾與社群的致意延展至全球各傳統領地與第一民族。