Cher Tan

A woman stands in a laneway with long black hair and a streak of blonde down one side looking directly at the camera

Cher Tan is an essayist and critic. Her artistic practice is concerned with technology, late capitalism, borders and boundaries, power and complicity, and the construction of identity, self, and culture in a hyper-real world. She is an editor at Liminal and the reviews editor at Meanjin.

Acknowledgement of Country
Arts House, Campbelltown Arts Centre, Taipei Performing Arts Center, and Museum of Contemporary Art Taipei acknowledge the Traditional Owners of the lands we work on, the Wurundjeri Woi Wurrung, Dharawal, and Ketagalan peoples. We extend our respects to their Elders past, present and future while respecting the vast Traditional Owners Nations our digital platforms reach. We extend this acknowledgment to Aboriginal, Torres Strait Islander, and Austronesian artists, audiences and communities, and First Nations peoples globally.
墨爾本藝術之家、坎貝爾敦藝術中心、臺北表演藝術中心及台北當代藝術館向我們土地上的第一民族暨傳統所有人致上敬意，包括烏倫杰里族（Wurundjeri Woi Wurrung）、塔爾瓦斯族（Dharawal）、凱達格蘭族（Ketagalan）及其眾支系。因著BLEED數位介面所將廣泛觸及的各種傳統民族與土地， 我們尊榮各地過去、現在及未來的祖先與耆老。我們更將這份對台灣與澳洲原住民族、托雷斯海峽群島民族及南島民族的藝術家、觀眾與社群的致意延展至全球各傳統領地與第一民族。